500 Handmade Books

I am pleased to announce the inclusion of my artist book, Tangled Dreams in the upcoming Lark Crafts Publication, 500 Handmade Books Volume 2.  Some of you may know that Tangled Dreams is one of several projects on which I collaborated with artist Elizabeth Sher.  The book will be released to the bookstores in  September of 2013. Tangled Dreams, 2012 Artist Book with wrap. 8.25 x 8.13 x .33 inches

Tangled Dreams in Wrap

Tangled Dreams

Tangled Dreams Cover

It started with a rusty bedspring that I found in a barn and took into my studio. I noticed the intriguing patterns of its shadows playing against my studio wall and began taking a series of close-up photographs of them.  This humble beginning led to three series of work: mixed media works on paper, an artist book and a video.

Tangled Dreams is one of six Edition Varie.  The artist book is an accordion fold made with digital images of bedsprings layered and manipulated; the images became the basis for an examination of memory, dreams and loss. The book reflects a range of feelings found in our dreams from twists and turns, to torques, coils and agitated sensations.

Materials for the book include acrylic ink on Moab Entrada Natural 190 lb. rag paper, waxed & stained organza silk and Cave paper.

The Infinite Book

The Sometimes Books Gallery presents yet another provocative show entitled, The Infinite Book.  Zea Morvitz, one of the coordinators, wrote "If we can shed our usual association of book with the paper and cloth objects stored in our libraries, and think instead of the book as a medium for recording, storing, and transmitting thoughts, words, images from one person to others now and in the future, we see that the book has taken---and will take an infinite or at least a very large number of forms: from clay slabs, ivory tablets, skin scrolls, engraved stones, to ink on paper, to audio file, to digital image on electronic device, and to forms we have not yet imagined."

"Artist books are visionary creations: books that might have been, books that may be; books that may never be, or may never take any form except as an artist book. Sometimes Books Gallery presents books from the storehouse of infinite possibilities."

I have two works in this exhibit:    Live  2010  and MuseumUn  2006

Live, 2010

Sometimes Books is open Saturdays & Sundays noon to 4pm & by appointment

Eubank Studio: 11101 Highway One, #105, Point Reyes, CA 94956

 415.669.1380. sometimesbooks@gmail.com

And this exhibit is running concurrently  with  An Inventory of Al-Mutanabbi Street, an exhibit of artist books and broadsides made in response to the car bombing on Al Mutanabbi Street, a street of booksellers in Baghdad in March of 2007.   It is on view at Gallery Route One, in the same building complex as  the Eubank Studio, site of the Sometimes Books exhibit.

 

 

 

 

the residents & a few artists we met along the way

  2013 opens with "The Residency Show" at the  Gatewood Gallery, University of North Carolina, Greensboro (UNCG) on January 14th through February 1st.  The show features work of faculty and other artists who participated in artist residencies recently.  I sent work inspired by my experiences at the Gullkistan Artist Residency in Iceland last summer.

 

mtlaugwalksections

About the work:

I walk a lot when I travel. Walking allows me to wander wherever I wish, and not be limited to "auto driven" roads. I can choose a way, a pace, and I often see more. I love how walking shifts me from an accelerated frenetic state of mind to a contemplative one.  And slowing down has a way of opening up space.  The artist, Richard Long, once wrote that "a walk expresses space and freedom and the knowledge of it can live in the imagination of anyone, and that is another space too."

And I found that space in Iceland last summer at the Gullkistan Artist Residency;  not only because  "eg' gekk mikið!", but also because I discovered that Iceland is a land with panoramic views and horizontal ribbons of sky, land, and sea.  My response was elemental and primordial and it took me back to a place of "beginning"—an invigorating feeling that I want to experience again.

I went to Gullkistan with the intent of incorporating the act of walking into my artistic process. Before I left, I purchased a Garmin GPSmap 62, a device that records tracks of walks.  In Iceland, I used it to collect the shapes and lines of my walks while exploring the new terrain.  I accumulated many tracks.  In the studio, I printed them out and displayed them on the wall.  These "visual walks" were a beginning.  However, I wasn't clear on how I would use their shapes and lines in a body of work.

I had heard of Iceland's "geologic wonders".  I was interested in how this geology related to its constantly shifting landscape. I saw this in lava beds, glaciers, craggy scree slopes, black sand beaches, glacial carved rocks and basaltic columns. These materials create a myriad of contours and textures. I have started to explore how this topography might influence my work so that it reflects the natural tensions of the land.

The work in the exhibit is a beginning of an investigation that combines both line cuts (sections from the tracks) from a walk and the contours of the landscape. The work comes from one of six walks that I tracked in Iceland; the one here is the trek up to the summit of Mt. Laugarvatn, a mountain behind the town of the residency with views of it and beyond. The track provides evidence of a step-by-step process, like walking, and is broken into 23 sections to suggest that.  The constructions, mtlaugwalkcut1, mtlaugwalkcut2, and mtlaugwalkcut3 are the result of an investigation of line and form taken from the walks.

mtlaugwalkcut1_angle view

mtlaugwalkcut1_angle view

mtlaugwalkcut2_angle view

mtlaugwalkcut2_angle view

mtlaugwalkcut2_detail

mtlaugwalkcut3_angle view

Artwork:

mtlaugwalkcut1, 2, & 3 are mixed media constructions made from book covers, cloth & board on a birch panel. Each are 9.13 x 8.66 x 3.25 inches  ©2012

The Residency Show

 

 

 

 

 

The Last Hurrah

The Last Hurrah features the work of nearly 100 artists who have exhibited at Quicksilver Mine Company since the gallery opened in 1983.  It is Quicksilver's final exhibit and I am honored to be a part of it.   For 30 years, Khysie Horn has provided many of us a place to show our work and I am so thankful to her for that!  Please come to celebrate and honor her years of service,  support and the memorable and moving exhibitions that she has hosted over the years. The Last Hurrah runs from  November 16 - December 31st  with opening reception on Saturday, November 17, 4 - 6.

Gallery location:  6671 Front St/Hwy 116, Downtown Forestville  707.887.0799

Gallery hours:  11 - 6 daily, Closed Tues & Wed

Quicksilver exhibit

Transformation & Re-Purpose

 

My work and the work of Tari Kerss will be featured in Transformation & Re-Purpose, an exhibition at the Mendocino College Gallery.  Over twenty years of my work in a variety of mediums will be represented:  clamshell box and book constructions, word works, books, algae works and drawings.  The show runs from October 18 - November 9, 2012 with an opening reception on Thursday, October 18, 4 - 6 pm.   If you are up and about in Ukiah, please stop by.

 

In California

Where you currently can view my artwork:


I now have some artwork on consignment at the Kala Art Institute.  If in the area, you may contact Andrea Voinot at Andrea@Kala.org or call her at 510-841-7000 x206.

Also artwork at the

Artifacts of Passage Exhibit:

July 14 - August 28

At Orangeland   1250 Mason Street  San Francisco, 94108

Gallery Hours:  Thurs & Fri  2 - 5,  Sat  11 - 5  email: candaceloheed@comcast.net

*For parking near Orangeland, try Vallejo Street Garage 735 Vallejo or Chinatown Parking 728 Pacific or iPark 1345 Taylor Street

 

And

Sometimes Books

Spring  & Summer 2012 Show

Eubank Studio 11101 Hwy 1 Pt. Reyes 94956  Gallery open weekends: 12 - 5

Artwork on view at Orangeland and Sometimes Books:

 

The LINE: National Juried Printmaking Exhibition

The LINE: National Juried Printmaking Exhibition   November 4th - December 1, 2011

Juror: John Risseeuw, Professor at Arizona State University

 

Prescott College Art Gallery  at Sam Hill Warehouse

232 N. Granite St. Prescott, Arizona 86301  928-2341

Hours:  Tuesday  - Saturday  11 - 3

 

I was pleased to have these three pieces selected for this exhibit:

Mixed Media Box Construction

Cover Book with Coptic Binding

Mixed Media: xerox transfer print on algae, book covers

Statement:

A line leaves a memory.  Whether you  find

one in a drawing, a book, or on a map, each

tell a story of an energy, a movement

in a time and space that elicits

traces of feeling and  thought.

 

I place drawn and printed lines in a context

using materials that elicit multiple associations.

Like old and used books, vessels

of knowledge and information. Artifacts today

as many are discarded and replaced with digital

delivery systems like the internet and e-books.

 

And like the weather maps of New Zealand

that reveal mutable patterns of highs and lows.  Fleeting

winds that shaped a landscape and people of a region.

Unpredictable like the appearance of algae.

Conditions were ripe.

 

Algae that I found floating on the surface of a river in Northern California.

A felt field of matted and knotted threads.

A pad of mottled greens used as  material for my work.

I culled sheets of it to dry and printed wind maps on its surface.

 

I hope that the artwork evokes these feelings of change through

the materials and the language of line.