Withdrawn was inspired by a photograph that I found while rummaging through family heirloom photo albums—an image of the aircraft carrier, the Enterprise, on which my grandfather was one of its captains during WWII. During his term, a Kami Kazi pilot bombed the carrier. The photo documents the hole in its deck from the explosion with the crew standing by. The image held me as I reflected on the space created by the destructive act; the hole became an opening for exploration. Following the cue of the destructive act, I deconstructed the photo, cutting out parts, enlarging some while reducing others. I printed the image fragments onto old book pages and library cards, cultural artifacts like the WWII image in today's technological world. I hoped to transform these historical materials into an object that conveyed the emptiness of loss that comes from war.

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